Action in The Tragedy of Macbeth by William Shakespeare
Action in the tragedy play by William Shakespeare, The Tragedy of Macbeth, provides a means of assessing how it contributes to the development of the piece of art. The play gives an account of how Macbeth rises from a soldier to a king, but ends up killed by one of the son of his murder victim. Macbeth kills King Duncan and his sons flee the country. He also kills Banquo and his son runs away. Now, there are up to three people, two of the kings sons and one of Banquo on the run. In fact, he kills for selfish interests thereby leading to the climax when Macduff ends Macbeths life and restore peace and order in the kingdom. Through these actions, Shakespeare drives continuity, develops the plot, suits the play sub-genre, and creates the characters personality and behaviors.
Action drives continuity in a play by showing how interconnected the events are due to their causative linkages. A play, such as the Shakespeares The Tragedy of Macbeth, employs the actions within every act and scenes to drive its continuity. The occurrences among the major characters and their supportive ones all contribute to the successive development in one way of another. For instance, Shakespeare uses the actions of the three witches who tell Macbeth has that he would become king of Scotland. As a result, Macbeth, together with his wife plans to kill King Duncan while hosting him in their castle. In this single act, therefore, the earlier even has just led to another. As a result, the continuity of the play is developed. In fact, Macbeth and his wife execute their plan of killing the king in the opening of the second act. In fact, they succeed. As observable, the activities in the later parts of the first scene are all influenced by those of the earlier one. Indeed, the witches prophesy that Macbeth would become king of Scotland leads to the later events that culminates into killing the ruler. Therefore, the influence of action in play to establish and sustain continuity is ascertained.
Action supports the development of a plot with key events falling in their rightful place to further more activities. Shakespeare in his play, The Tragedy of Macbeth, is bale to establish and sustain the plot through action. As the building blocks of a play, action provides the ability to move from one scene to the other, one act to the other, or one stage of the work to another. As a result, the ability of the play to instill sequence of events is possible. These events come at critical points in the play to further support the plot unfolding. For instance, the three witches action of speaking to Macbeth about his ability to become king makes the latter kill Duncan. Consequently, he becomes king. However, the play never ends at this point since another vital aspect of action the exile by the two sons of the slain king leads to a new dynamic of controversy between Banquo and Macbeth. Therefore, the plot takes another step towards developing the events in the play as a result of the actions. Hence, the ability of action to regulate and develop a plot in a play is confirmed.
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Action is responsible for the placing of a play within its rightful sub-genre through the nature and context of the events unfolding in a play. Shakespeares The Tragedy of Macbeth suits its genre because of the actions that occur in it. As a tragedy, it has to start off with an event that would lead to serious related activities that end up in an unresolved crisis. It is vital to realize that the actions in the play are what determine whether or not the crises developed throughout the plot remains unresolved or leads to an ultimate tragedy. Shakespeare, thus, unfolds the plot with actions that cumulatively make the situation worse. For instance, Macbeth kills the king and becomes one, but Banquo is also eyeing the seat thereby leading to another conflict that leaves the latter dead. Banquos son, however, narrowly escapes the attempt of murder on him when his father is killed. Malice in Macbeth and thirst for revenger among the offended sons thus continues to mount into levels that are uncontrollable. So far, action has proved that it influences the manner a play fits a given sub-genre such as the tragedy in the case of Shakespeares account of Macbeth experiences.
Action facilitates the revelation of the key characters thereby enhancing the creation of personalities out of the performers in a play. Through action sequences, the behaviors, habits, personalities, and motives of given characters emerge to explain the reasons they engage in given activities or keep particular friends. Shakespeares Tragedy of Macbeth enhances the expressions of behaviors of the major characters through their actions. As so far established, Macbeth kills both King Duncan and Banquo to retain the power of the ruler of Scotland. These two major expressions of aggression and malice in Macbeth are able to show us that he is an immoral person. Consequently, the character of an irrational, non-sympathetic, and vengeful person emerges in Macbeth. His actions, thus, help defining his characters and personality type. In fact, action has the potential of even going a step further to reveal the weaknesses and strengths in the characters as a way of justifying their interrelationship with others. For instance, Macbeth moves from being a friend of the king to an enemy, and the same occurs between him and Banquo. In the end, action has described the true self of Macbeth as well as his weakness of lack of reasoning before executing given actions.
Action is a requirement if the length of a play is to advance through the main stages of development of a tragedy from introduction of characters through the climax to the end. Moving through the key stages of a tragedy of developing the story, setting the stage for the climax, and decline to the end requires actions that suit every part. This is the case of Shakespeares Tragedy of Macbeth that also follows the key states to qualify as a tragedy. It begins with the introduction of Macbeth as a successful soldier and to his kingship before leading to a down fall. Every stage has a given action that serves to qualify it as intended by the playwright. For instance, the meeting of the witches where they decide to approach Macbeth next is the initial activity that culminates into the entire play. When the witches meet Macbeth, he is fully introduced to the audience through his action of deciding to kill the king and inherit the throne. Therefore, action leads to the development of the stages of a play within its sub-genre from the introduction, through the developments of events, to the climax, and the end.
Action, therefore, is a critical component in a play that contributes to its development in many ways. It furthers the plot to provide a sequence of events that runs the play from the beginning to the end, serves as the means of ascertaining continuity, leads to expression of the characters and their intentions, fist it to its sub-genre, and support the expression of he given stages of a tragedy. The evaluation of how Shakespeares work, The Tragedy of Macbeth, ascertained the claims thereby confirming that actions is a tool that any playwright cannot avoid.